This is Islam: Islam means “submission to God”. Islam is the belief that there is only One God, whose proper name is Allah, which means ” the God”. Islam is the same message given to all the prophets, from Adam, Noah, Moses, Abraham, Jesus, and finally to the Prophet Muhammad, the last messenger (peace and blessings be upon them). They all brought the same message: worship only God, and stop worshipping human beings and their ideas.
Music and language are uniquely human. A world without either would be hard to imagine. “Both language and music are characteristics of the human species that seem to be universal,” says the book The Musical Mind. They are aspects of our need to communicate. So it could be said that, as is true of language, when music “speaks” our emotions “listen.” Music resounds through creation from the blowing wind, to the chirping birds, to the human voice and the tune of the harp.
Music naturally occurs. The three great elemental sounds of Nature are music. Is the sound of rain, the sound of wind, and the sound of the ocean on a beach not reminiscent of an awe-inspiring rhythm? The sound produced by a rivulet cascading merrily over pebbles and stones, is music. Scientists are finding that the human brain is pre-wired for music (“Music on the Mind” by Sharon Begley. Newsweek, July 24, 2000, pp.50-52) Music is a marvelous and extremely powerful tool. The Qur’an is music. When the Qur’an is intoned with ilhaan and tajweed: is that not music? The recitation of the sacred Qur’anic text in rhythmic tones brought into being and developed the religious music of Al-Islam; this was a new branch of music. All throughout the Noble Book are images of music, such as trumpets blasting, thunder, angels singing praises, voices calling. The Arabic language lends to its prose a sweetness and melody. The Qur’an recited by the master chanter or Qari, is heard daily in many parts of the world; it is unequaled in charm and harmony. Music is one of Allah’s great gifts to man, a means of rejoicing unto thy Lord, and can be used as a healing to the body, mind and spirit. Music relaxation training is used to treat many stress-related illnesses that include high blood pressure, migraine headaches and ulcers. It has direct physiological effects on people. It can make us relax or remember, or have all sorts of feelings. Music can transform an environment by changing our state of mind. The harp has long been recognized as an instrument for healing and calming the mind. It is important to use music to educate, to heal, to inspire and to unite.
Is Music Permissible?
The question whether music is permissible at all began to be debated in the first century of Islam and the debate has continued to the present day. This debate has filled thousands of pages. Early religious authorities had opposed music due to the role it had played in society. This ‘new music’ was related more and more with a life of pleasure and a taste of luxury. It procured connotations of flightiness and sensual indulgence, reinforced by the participation of women in music-making and by the dancing (often considered obscene) and the drinking of intoxicating beverages that were associated with it. Even the two sacred cities of Makkah and Madinah were not invulnerable from these temptations, and indeed they quickly became authentic centers of entertainment. Islamic music is divided into six periods. During the first period of Islam, and particularly during the reigns of the last two Khulafa-e-Rashideen (the rightly guided Caliphs), Hadrat Uthman(RA) and Hadrat Imam Ali(RA), Madinah became the center of intense musical activity. Despite frequent campaigns against music by the religious authorities, professional musicians were welcomed in the houses of the rich and noble, and encouraged by lavish rewards. These musicians were mainly freed slaves of Persian origin, such as Tuwais (d. 92 AH/710 AD) and Khathir (d 64 AH/683 AD), who is said to have taught Arabic music to Nasheet, the Persian slave who became a famous musician. Among the female musicians of Arab origin ‘Azza al-Mayla (d. 86 AH/705 AD) occupies the first place. Her house was a real cultural salon, visited by the literary and musical elite. Some of the rhythmical modes began to crystallize during this period; its most characteristic type of song is called the al-ghina’ al-mutqan. (REF. The Dimension of Sound by A. Shiloah in The World of Islam, Ed. Bernard Lewis, Thames and Hudson Ltd, London, pp. 161-180, 1976)
Under the Umayyads the center of musical interest moved to the new capital, Damascus. Some of the caliphs (Khulafa) had a real passion for music; consequently musical activity increased, musicians multiplied and their social status rose. With the Abbasid dynasty the capital shifted to Baghdad. Here, during the next two centuries, Islamic music attained its highest point. This was its golden age. Musicians continued to enjoy favor at the caliphs’ court and to play an important part in the country’s cultural life. Society was eager for knowledge of all kinds. The study of music was now obligatory for every educated man, part of the encyclopedic learning he was expected to acquire, and in the intellectual flowering, which reached a climax in the IV/10th century music played a role. At the same time, the musician was expected to be widely cultured. Music itself became highly sophisticated and began to be the subject of learned controversies between thinkers with different artistic conceptions. The melodic and rhythmic modes were definitively codified. Theories were evolved, practice described. Instruments themselves were perfected and standards of performance rose even higher. Among the great musicians were Ibn Misjah (d.169 AH/ 785 AD), Ibn Muhriz (d, 97 AH/ 715 AD), Ibn Surayj (13-108 AH/634-726AD), al-Gharid (d. 106 AH/724 AD), Siyyat (d. 169 AH/785 AD), Zalzaal (d. 175 AH/791 AD), Mukhariq (d. 229 AH/845 AD), ‘Alluya and ‘Amr ibn Baanaa (d 278 AH/891 AD). Distinguished female singers were Basbas, ‘Ubayda, Shariyya, Dananir and Mahbuba. In Muslim Spain music continued to play a prominent part in spite of the worsening political situation.
The greatest of Arabic theorists, al-Farabi (d. 339 AH/ 950 AD), wrote in his Kitab al-Musiqi al-Kabir: ‘Theory did not appear until practice had already achieved its highest development.’ This was certainly the case by his own time.
There was no clear line of separation between sacred and secular music, and sacred music itself has throughout its long history oscillated between art and folk music. According to some of the traditions, Prophet Muhammad (pbuh) approved the folk music and not the art music. Consequently art music was completely banished.
The Qur’an is the only text that proclaims absolute Divine Laws, “Shari’ah”. What is haram is clearly haram and what is halal is clearly halal. On the theological level, the authorities to which the two sides appeal are the Qur’an, the Hadith, the writings of religious leaders, the opinions of mystics and legal precedents. The Qur’an provides no specific verdict one way or the other, so it was the hadith which was the main source of ammunition. Literal interpretation of texts was reinforced by reasoning by analogy.
Imam Al-Ghazali (d.505 AH/1111 AD) makes brilliant use of this method and the chapter devoted to music in his Ihya Ulum al-Deen (Vivification of the Religious Sciences) is a masterpiece. In it he says that there is something wrong with the man or woman who does not like music. He declared ” One who is not moved by music is unsound of mind and intemperate; is far from spirituality and is denser than birds and beasts: because everyone is affected by melodious sounds.” (ASK Joommal, Al-Balaagh, Supplement to August/September, 1985)
An African Muslim named Sa’id, who traveled widely, translated the songs of other countries into Arabic, and first worked out the system which became classic for Arabic music.
Singing has always been the most common and most loved form of music, partly no doubt because of the Arabs’ fondness for poetry. Good songs and poetry have been in Islamic culture since the time of the Prophet (pbuh), and who himself listened to good poetry and encouraged Hassan bin Thabit (known as the Poet of the Prophet) to say the poetry in the praise of Allah and in the honor of His Religion and His messenger. Most often simple instruments accompany it.
Early Muslims studied theories of sound and music, and the rhythmic measuring of music was practiced among the Arabs long before it was known in Europe and the use of the baton goes back to the eighth century, so the modern Drum Major is all unconsciously in their debt. They knew nothing of harmony and made little use of accent, but they adorned the melody by a comparison note now and again, which perhaps prepared the way for harmony, later developed in the West.
Since instrumental music was a part of pagan ways of worship, Prophet Muhammad (peace be upon him) forbade it to his followers, saying it was “the devil’s muezzin, calling men to worship him.”
His objections were soon ignored. Military bands accompanied armies and shared in the celebration of victories. They had drums, kettle-drums, pipes of many sorts, cymbals, and tambourines. Making musical instruments became a fine art.
The lute was the earliest stringed instrument; it was of many shapes and sizes. Then came the guitar-qitara, the harp, and the rabab, an instrument played with a bow. Skilled players could drive away fears and depression, as the young shepherd Prophet David (Dawood-peace be upon him) for King Saul. More modest fiddlers played at weddings, raveling from village, to village, as they do today using the same instruments.
Makkah and Madinah became centers of music. Musicians in gala attire accompanied the pilgrimage processions to Makkah, rivaling in interest even the festivities of the Hajj itself, for the people believed that rejoicing with music and companionship was preparation for he ecstasy of the sacred celebration. (REF: Allah-the God of Islam, Muslim Life and Worship by Florence Mary Fitch, published by Lothrop, Lee and Shepard Co., Inc. New York, 1950 p.90)
Are Music and Singing Haram?
The following excerpts are taken from: Sharif Khan, ” Music and Singing in Islam (Submission) The true Islam,” in the Web pages of Submitters (www.submission.org/music.html).
One of the most outrageous statements by some of the Muslims who refuse to accept the law of God in the Quran is that music and singing are haram (Prohibited). The sincere Muslim who is following the Quran will not find in the Quran ANY PROHIBITION OF MUSIC OR SINGING. Quran is the book that God calls COMPLETE, PERFECT and FULLY DETAILED. God, the Most Merciful, NEVER prohibited music or singing in the Quran, but some scholars and their followers did, despite their knowledge with the Quran. The Prophet Muhammed (pbuh), lived by, ruled by, preached and followed the Quran. God is the ONLY source of law (Qur’an, 6:114). No one can prohibit what God did not (Qur’an, 66:1). When the Prophet Muhammed (pbuh) once did, God admonished him in public to remind the believers that ONLY GOD can prohibit. (See Qur’an, 66:1 and 33:37).
The prohibition of Music and singing cannot be found in the Quran because God did not prohibit them. The list of prohibitions in the Quran does not include Music or singing.
“Say, “Who prohibited the nice things God has created for His creatures, and the good provisions?” Say,”such provisions are to be enjoyed in THIS life by those who BELIEVE. Moreover, the good provisions will be exclusively theirs on the Day of resurrection.” We thus explain the revelations for people who know.” (QUR’AN, 7:32).
Now and before responding to those Muslims who claim that Music and singing are Haram, let us ponder for few seconds at our universe and the way God created this world. While we might remember that Galileo once said, “Mathematics is the language in which God wrote the universe.” it may be fair enough to say that Music is the basic sound of that universe.
Any keen observer of the universe will realize that the whole universe was created with music in every corner of it. Our heart beats, bowel sounds, breath sounds, the sound of our blood flow or even our brain waves are but music. The birds, the dolphins, the animals, the trees, the rain, the oceans, the wind and the clouds are all created with their own music. Those who are blind in the heart and deaf to the truth do not and cannot understand that music is in every corner of their universe. With music in every thing around us, it is naive to think that the One God who created all this music prohibited it. One of the most valuable gifts given to man is the voice box or the larynx, which is in reality a music box. It is one important instrument that allows us to communicate with each other and with other creatures around us. The arrival of the newborn to this life is announced by his/her scream, the best music to the mother’s ear.
(1) First, it is interesting to see the inverted logic of these people. After finding no proof in the Quran to prohibit music, by their own admission, they resort to the weaker sources one after the other to prove what they could not find in the Quran. This is almost like failing to have the approval of the president of the country on a matter, so they get the approval of his house keeper. If they fail, then they get the approval of his servant who cleans his room then claim that the approval they have is the approval of the president. Those who refuse to accept the Quran as a complete book for this religion, are led by Satan into inventing all kinds of laws from sources outside the Quran.
(2) In every verse they used in an attempt to prove that music is Haram, they ended by concluding that the verse does not really prohibit Music. Despite that, they never got the message that God DID NOT PROHIBIT MUSIC OR SINGING. They also failed to understand that prohibition laws ONLY COME from God. When the prophet Muhammed (pbuh) gave any prohibitions it was FROM THE QURAN ONLY, and was not from his own. Here are the verses that they claim to prohibit music and singing:
a) Allah addresses the disbelievers of the Quraysh as follows, “Do you marvel at this statement, and laugh and do not weep, while you amuse yourselves (proudly) in vanities? Rather, prostrate before Allah and worship Him.” (Qur’an, 53:59-62)
Because of the statement “amuse yourselves” these Muslims twisted the words and the logic to make a conclusion that music and singing is what is meant here. The word is general and indicates that any kind of amusement that keeps you from paying your duties to God is leading you to commit a sin. It does not make it haram or prohibited. If you amuse yourself by watching Baseball while forgetting to do your Salat-prayers on time then you are committing a sin but this does not make Baseball haram. If you amuse yourself by playing games with your children while forgetting to pray on time you are committing a sin but playing with your children will not be haram. If you listen to music or singing and forget to do your prayers then you commit a sin but music does not become haram. Remember that music is like air and water, it is not haram per se, but the way it is used in certain circumstances will control its status then. These group of Muslims find in human beings like sahaba, tabi’in, and later scholars of tafseer to prohibit for them what God did not. Al-Qurtubi, At-Tabari, Ibn Abbas, Al-Hasan, Mujahid, Ad-Dahhak, Ibn Jareer… etc. are more important to these people than Allah (SWT).
a) Allah (SWT) addresses Satan thus; “And excite any of them whom you can with your voice. Assault them with your cavalry and infantry, be a partner with them in their wealth and children, and make them promises. But Satan promises nothing but deceit” (Qur’an, 17:64)
Using this verse as a proof of prohibition of music and singing shows only how naive and misguided are these people. No intelligent human being can accept the voice here as pointing to music and singing. It is clear from this verse that there is no prohibition here. They quote here Ibn Abbas, as saying “the voice mentioned in the verse refers to any form of invitation which calls to disobedience to Allah.” If this form of invitation is “talking nicely” to someone to make him/her disobey Allah, this does not make “talking nicely” haram. If the invitation here is accompanied by music or singing, this does not make the music or singing haram but rather it is the invitation to disobey God in any form that is haram. They do not like what God says in the Quran, but find nothing wrong in listening to Ibn Abbas even if they do not know who Ibn Abbas is.
b) The third verse, and the one most often referred to as evidence of the prohibition of music and singing (according to them) is found is Sura Luqman.
“And there are among men those who purchase idle talk in order to mislead others from Allah’s path without knowledge, and those who throw ridicule upon it. For such there will be a humiliating punishment.” (31:6)
Again, like the previous verse, using the statement “idle-talk” (lahwal hadeeth) to condemn music and singing is clearly corrupt. Idle-talk or idle-tales, can be any form of talk and not necessarily singing and music. Even a tale or story can be constructive and enlightening or idle, false and mischievous. The Arabic word for music is “musiqah”. Musiqah means music. Hadeeth means tales. Are the learned Ulama suggesting that Allah (SWT) would use one word when he meant another? Allama Yusuf Ali in his commentary on the words “lahwal hadeeth” in the Qur’an 31:6, in his note 3584 says, ” Life is taken seriously by men who realize the issues that hang upon it. But there are men of a frivolous turn of mind who prefer idle tales to true Realities and they are justly rebuked here. In the time of the holy Prophet there was a pagan, Nadhr ibn al-Haarith who preferred Persian romances to the Message of God, and turned away ignorant men from the preaching of God’s Word”. The Qur’an never mentions anywhere that music is haram.
NOW THAT QURAN DOES NOT PROHIBIT MUSIC OR SINGING, these people looked for other sources to do this for them. A look at what they claimed as hadith of the prophet (pbuh) will show their misguidance and confusion. Here is an example of what these people quote and claimed it to the prophet which is a clear lie. The prophet (pbuh) cannot deviate from the Quran.
“The Prophet (SAWS) said, “There will be (at some future time) people from my ummah (community of Muslims) who will seek to make lawful: fornication, the wearing of silk (by men), wine-drinking, and the use of musical instruments (ma’azif). Some people will stay at the side of a mountain and when their shepherd comes in the evening to ask them for his needs, they will say, ‘return to us tomorrow.’ Then Allah will destroy them during the night by causing the mountain to fall on them, while he changes others into apes and swine. They will remain in such a state until the Day of Resurrection. (related by Imam Al-Bukhari in Fat-hul Baari, graded sahih) .
First, Allah (SWT) teaches us in the Qur’an that the Prophet Muhammed (pbuh) did not know the future. This will immediately expose the falsehood of this hadith and similar ones and expose the hypocrisy of those who claim to be Muslims but refuse to believe Allah (SWT) in the Qur’an. Allah (SWT) told them Prophet Muhammed (pbuh) did not know the future.
The Jewish Rabbis of Yathrib had instructed the idolaters to ask Prophet Muhammad (pbuh) ” of some youth who were of old, what was their fate? ” of a much-traveled man who reached the sunrise regions of the earth and the sunset regions thereof, what was his history?” And ” of Spirit, what it is” as a test of his Prophethood. Verses 60-82 of Surah Al-Kahf (The Cave) and verse 85 of Surah Bani Israel or Al-Isra were revealed to Prophet Muhammad to answer these questions. Furthermore nobody knows when Aakhira (the Last Day) will occur.
“Say (O Muhammed), “I have no power to benefit myself, or harm myself. Only what God wills happen to me. If I KNEW THE FUTURE, I would have increased my wealth, and no harm would have afflicted me. I am no more than a warner, and a bearer of good news for those who believe.”(Qur’an, 7:188).
“Say (O Muhammed), “I am not different from other messengers, I have NO IDEA what will happen to ME OR TO YOU. I ONLY follow what is revealed to me. I am NO MORE than a profound warner.” (Qur’an, 46:9)
Second, for the past 1400 years there have been millions who listened to music and songs without mountains falling on top of them or turning into apes and pigs. What will happen to millions of people, who are turning to their computers now, will they turn into pigs and monkeys because their computers have all kinds of music built into them?
Those who really appreciate music and the beautiful voices that God created, are more appreciative of God’s creations and closer to God than those who prohibit what God did not and see evil in every beautiful creation of God.
“Say, “Who prohibited the nice things God has created for His creatures, and the good provisions?” Say,”such provisions are to be enjoyed in THIS life by those who BELIEVE. Moreover, the good provisions will be exclusively theirs on the Day of resurrection.” We thus explain the revelations for people who know.” (QURAN, 7:32).
It is these Muslims who prohibit which is not unlawful, who will be surprised on the Last Day that the prophet Muhammed (pbuh) will complain to God form them because they deserted the Qur’an (Qur’an, 25:30).
MUSIC AND SINGING WERE NEVER PROHIBTED BY GOD. They are part of the most beautiful creations of God. As long as they do not call on the people or encourage them to commit sins, they are for the TRUE BELIEVERS TO ENJOY while remembering God with every beautiful note or rhythm.
La Elaha Ella Allah, There is no god besides God. Is it time yet to wake up and follow the QUR’AN, instead of following the man-made laws? (REF: Sharif Khan, Music and Singing in Islam (Submission) The true Islam, in the Web pages of Submitters (www.submission.org/music.html)
Shaikh Yusuf Al-Qaradawi in his well-known book, “The Lawful and the Prohibited in Islam”, (American Trust Publications, Indianapolis, 1980, pp.300-304) says, ” Among the entertainments which may comfort the soul, please the heart, and refresh the ear is singing. Islam permits singing under the condition that it not be in anyway obscene or harmful to Islamic morals. There is no harm in its being accompanied by music, which is not exciting. In order to create an atmosphere of joy and happiness, singing is recommended on festive occasions such as the days of “Eid, weddings and wedding feasts, births, ‘aqiqat (the celebration of the birth of a baby by the slaughter of sheep), and on the return of the traveler.” He continues “It is reported that many Companions of the Prophet (may Allah be pleased with them) as well as second generation Muslim scholars used to listen to singing and did not see anything wrong with it. As for the ahadith which have been reported against singing, they are all weak and have been shown by researchers to be unsound. The jurist Abu Bakr al-‘Arabi says, “No sound hadith is available concerning the prohibition of singing,” while Ibn Hazm says, “All that is reported on this subject is false and fabricated.”
Dr. Muzammil Siddiqui, President of ISNA (Islamic Society of North America) says, “Imam Shawkani in his famous Nail al-Awtar (vol.8 pp.260-271) has mentioned that some Sahabah, the Companions of the Prophet, used to listen to music. He even wrote a book with the title, “Ibtal Da’wa Al-Ijma’ ‘ala Tahrim Mutlaq al-Sama’ ” (The Refutation of the Alleged Claim of Consensus on the Absolute Prohibition of Music and Songs). While it is not right to say that all music is prohibited in Islam, it is important to use great discretion in the case of music. A lot of music that is available in the markets now days are very dangerous and harmful. Muslim youth should be extremely careful. There are, however, some Muslim groups in different countries who are developing songs that are very good, enjoyable, entertaining, and have good positive message.”
The music industry in America today is a multibillion-dollar business. Popular musicians and their promoters are making a great deal of money. However, it is a fact that unhappiness, premature death, and suicide have marked the lives of some very successful musicians. Our own Yusuf Al-Islam can testify to this fact from his own life experience. And it has been adequately demonstrated that some music is morally, emotionally, and spiritually debasing and can lead to violent, antisocial behavior. Hence it is important to have a balanced view of music. Some music can enrich one’s life and bring a measure of joy and contentment. It can uplift us emotionally and spiritually. The ancient Hebrews did not read the psalms in the Torah, they sang them. Often they did so with beautiful musical accompaniment- a powerful way to link the wisdom of their God, with the emotions that trained singers could impart to the listeners. Spiritual music (Samaa’) is the strength of the soul. Spiritual music is a specific cure of all desires. He, who hears it faithfully, finds the way to God; he who hears it to satisfy his sensual appetite turns a heretic. For Muslims the melodious recitation of the Qur’an is embedding more deeply in the hearts of the listeners, the knowledge of Allah, and Taqwa which are needed to guide our lives. In this 21-century world, which emphasizes education in science, economics, and logic, the development of the emotional side of personality through the arts is often neglected. Listening to a piece of fine music can be a beneficial and pleasurable experience. Of course, as with other good things in life, there is a need for moderation, good judgement, and selectivity in this area of entertainment (music). This is true not only in the type of music chosen but also in the amount of time spent in listening to or playing music.
Music is one of the great provisions from God that we should be grateful for. We should use it and enjoy it, like we enjoy all the other provisions. Indulgence in eating favorite food or drinking favorite juice to the point that one does not have time to do the required duties towards Allah (SWT), then one is committing a sin. Hence food and drinks would not become haram (prohibited). If one indulges in any kind of music or singing that occupies one at the expense of remembering Allah (SWT), then one is committing a sin. However the music itself does not become haram (prohibited). If someone sings a song encouraging corruption or misbehavior then listening to that song intentionally may be a sin but this does not make all singing haram (prohibited). It is true that many of the songs and lyrics we hear these days are disturbing but this does not make music or singing haram, it makes these specific songs undesirable and should be avoided. (Sharif Khan, ibid).
If a certain type of music is beginning to have a negative effect on your emotions, actions, and relationships, then select another style. Protect your ears to protect your emotions to protect your heart and mind! If we should ever find that through the power of music, our emotions are beginning to becloud our critical judgement and reason and misdirect our actions, and then it is time to change our music-listening habits. The power of music can affect your heart and your mind-either for good or for bad! Without music, the world will be quiet, desolate, and lifeless, like a graveyard. On the issue of music, prominent Muslim jurists, such as Imam Ibn Hazm, Imam Ghazali, Imam Mufti Muhammad Abduhu and Shaikh Yusuf Al-Qaradawi have held the opinion that good music is good and bad music is bad. If music promotes corruption and evil, it is not accepted. However, if it promotes sensitivity and a sense of beauty, then there is no harm.
Explaining the poetry in ghazals and the need to preserve Hyderabad’s heritage, Dilnaz Baig goes down memory lane
After a series of short turns in the muddled lanes of Banjara Hills, is a white stately house peeping out of green foliage. It is the family house of former first class cricketer Murtuza Ali Baig and his wife Dilnaz Baig. Draped in an elegant black and white Bengal cotton sari and a bunch of bangles jangling on her right hand, she stands on the porch of her house with a welcoming smile. A small but beautiful garden circles her house, which she passionately tends to. Settling in her favourite patio chair, Dilnaz Baig is ready to talk about the Hyderabad chapter of Shaam-e-Ghazal formed by a group of ghazal lovers which organises ghazal mehfils and holds discussions and her association with the NGO Apna Watan. In her clipped English, she begins to describe her fondness for Urdu ghazals when her cell phone rings. As she answers the phone, she effortless switches into perfect Hyderabadi Hindi with the quintessential twang with all traces of English gone.
“It is not just refinement of poetry but ghazals are also the tehzeeb and tameez and learning Urdu especially when we see that the language is slowly dying,” explains Dilnaz one of the founding members of Shaam-e-Ghazal, Hyderabad chapter. The organisation which first began in New Delhi, started in the city in 1995. The Shaam-e-Ghazal nights are usually held at the India International Centre in the Capital city where the stalwarts of ghazal perform. “I pestered my husband and with Vittal Rao who is the jaan-e-ghazal we started our Shaam-e-Ghazal chapter here,” she says. The 40 odd members invite local ghazal and qawwali singers as well from across the country to perform within the comforts of any group member’s home.
The group gathers around six times in a year for mehfils and mushairas. In fact, they will be hosting another ghazal night at the Paigah Plaza soon. Growing up in an atmosphere where poetry, music and literature were appreciated, she says, “When we were growing up, women did not have many outlets. The youngsters used to organise these musical nights where artistes like Vittal Rao used to perform for a meagre Rs 50. Sometimes, the performances used to go on for the entire night. The girls used to take care of the snacks so as a process we used to get trained in the art of entertaining guests.”
Expressing a strong disdain against the places which hosts ghazal nights in accompaniment with alcohol, she says, “It is not just appreciation of the gayaki but also a learning process. We want the right kind of people and youngsters to be involved to carry forward the traditions.” While singers like Nirja Giri, Rekha Surya, Seema Sehgal are associated with the group, Dilnaz is unhappy with the local singing standards. She feels that the young singers need to improve their Urdu diction before a performance. She feels that people need to move beyond requesting songs of Jagjit Singh and Mehdi Hassan and try to understand the art form. “Ustad Aslam Khan who has performed all over the world had mentioned that nowhere he has seen people listening with such adab than here in Hyderabad,” she says. With more members and better funds, she is optimistic that they will be able to expand Shaam-e-Ghazal.
Knowledge of Urdu becomes imperative when understanding the lyrical poetry of ghazals and in her determination to master the language, Dilnaz has started learning Urdu at the Maulana Azad National Urdu University. “I could read and write Urdu but was missing out the finer nuances of the language. You cannot walk around with a dictionary in your hand, so I decided to learn the language even though it’s a bit late in life,” she says with her infectious enthusiasm. Having spent the first 35 years of her life in the city, she is immensely passionate about Dakhini Urdu. “The mithaas that is present in the language cannot be found anywhere. I am very proud to speak the language. The language has more character and depth,” says the quintessential Hyderabadi.
She agrees that from once being a national language, Urdu has become synonymous with the Muslims. She says the beauty and poetry of the language should not be restricted to any particular community and according to her, the best way to learn Urdu is by listening to old Hindi film songs. “The lyrics penned by Naushad, Kaifi Azmi are so beautiful and old songs have so many emotions in it. You don’t seem to remember the songs that are composed today. In fact, I am going to teach Kaifi Azmi’s poem Aurat to my little granddaughter,” she says.
During her stay in Mumbai, she was also associated with Mahila Dakshata Samiti and has extensively worked for the cause of underprivileged women and has strong opinion about women’s rights. She is also associated with the NGO Apna Watan in an effort to promote communal harmony. “We formed the organisation after the 2002 Gujarat riots to promote communal harmony. It is disturbing to see communities so polarized especially when children are indoctrinated into religious ideology,” She explains that apart from explaining communal harmony among children, the group organises lecturers at different localities and colonies. “We have made Muslim women participate in Hindu weddings and being a part of the singing and mehendi functions to break barriers,” she says.
“During my growing up days, Hyderabad was a closed society. Women have so many choices now. We were quite cloistered and our every move was monitored. It was surprising how they could not monitor our dreams,” says Dilnaz Baig who has dedicated much of her time to promote education among girls especially through supporting the students of Safdaria Girls High School at Humayan Nagar. “There are two girls coming from very impoverished backgrounds from this school who have scored 96 percent in their board exams and one wants to become a doctor. We want to ensure that they don’t drop out but continue with their education,” she says as she encourages girl students to study and become financially independent.
Full of stories from her younger days, one gets a glimpse of the old Hyderabad and her unmistakable sense of humour. While regaling with her stories she briefly enquires with her husband Murtuza Ali Baig about a senior citizen plan at the bank and he replies with a twinkle in his eye, “You are not a senior citizen yet.” The couple exudes a feeling of great comfort and friendship. Balancing a delectable plate of home-made sweets, she says, “accha toh apan kya baat kar rahe the,” and continues to narrate her many interesting memories.
“While attending a speech by Nani Palkhiwala (jurist and economist) at Mumbai, I had asked a question. After a speech a Parsi lady had come up to me and asked me whether I was from Mehboobia Girls High School and when I asked how did she figure that out she said ‘my dear the Mehboobia girls speaks in a manner which is easily recognisable,” narrates Dilnaz as she fondly recalls her school days. Saddened by the present condition of the school, she feels that government and local bodies should pay attention to preserve heritage buildings in Hyderabad which are under a state of neglect. “These historical buildings represent Hyderabad’s rich cultural past and they need to be restored to preserve the heritage,” she says.